November 12th., [1899]
Tiny fantasy of the projected 2 vols. of posthumous letters of 2 men who have had their course and career more or less side by side, but been rivals and unequal successes (one a failure) watched, recorded by the wife (widow or attached woman) of one of them (the failure), who has also known intimately of old (been loved and misused by) the success. Both die and the bitter and sore wife (about their husbands the failures overshadowing) has ever felt how really more brilliant (for the expert, the knowing) he was than the other. Then she hears the Letters of the other are to be published and this excites, moves her: if it comes to that, why not publish the letters of her husband (the successs wife an idiot, quoi! publishes his) which must have been so far superior and which will so ineffably score. She appeals right and left to his friends: and lo! no one has kept any. There are none to publish. Beneath this last humiliation no one keeping them she feels quite crushed: and has only to wait, pale and still more embittered, the issue of the rivals. They appear and lo, they are an anti-climax, for mediocrity and platitude, a grotesqueness (for his reputation turning it inside out), that makes it almost seem as if it were as grotesques and exposures that they were, by his correspondents, cynically and cunningly preserved. They fall with a flatness they blast his hollow frame! She feels with a great swing round of her spirit avenged! Then (I am thinking) she publishes the letters of her OWN (her husbands to her) that she has kept, Those SHE has kept! (rather!!) but delicacy, etc., the quen dira-t-on? has prevailed. Now it goes, She doesnt care. She wants to score. She publishes and does. Or is there anything ELSE in it? in connection with the letters she eventually publishes??????????
part of an etext edition of
The abasement of the Northmores
on
the Ladder : a Henry James website